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・ Mouth (song)
・ Mouth and genital ulcers with inflamed cartilage syndrome
・ Mouth assessment
・ Mouth bar
・ Mouth breathing
・ Mouth by Mouth
・ Mouth for War
・ Mouth harp
・ Mouth Maze Cave
・ Mouth McFadden
・ Mouth mirror
・ Mouth music
・ Mouth Music (band)
・ Mouth of Baffle Creek Conservation Park
・ Mouth of Bear, Kentucky
Mouth of Garbage film
・ Mouth of Hector, Kentucky
・ Mouth of Me (album)
・ Mouth of Sauron
・ Mouth of Swords
・ Mouth of the Architect
・ Mouth of the Cirque de Salazie Important Bird Area
・ Mouth of the Night
・ Mouth of the South
・ Mouth of the Tyne Festival
・ Mouth of Wilson, Virginia
・ Mouth organ
・ Mouth organ (disambiguation)
・ Mouth prop
・ Mouth Silence


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Mouth of Garbage film : ウィキペディア英語版
Mouth of Garbage film
Mouth of Garbage film (''Cinema da Boca do Lixo'') is the collective name for a film genre associated with the Boca do Lixo ("Mouth of Garbage") downtown area of São Paulo, Brazil. On par with French Nouvelle Vague and American slasher films, films of this genre are exploitational and often considered B movies. These films often feature eroticism.
==Background==
The underworld of Boca de Lixo was an attraction for Cinema Marginal protagonists, most remarkably represented by Rogério Sganzerla's manifesto film ''O Bandido da Luz Vermelha'' (1968), that depicted the story of criminal João Acácio Pereira da Costa. The 1970s saw an influx of production companies to the area and producers such as Antônio Polo Galante, David Cardoso, Nelson Teixeira Mendes, Juan Bajon, Cláudio Cunha, Aníbal Massaini Neto made investments in Boca de Lixo. The result was ''cinema da Boca'', low-budget films with superficial content, produced for quick returns to investors. Although identified foremost with ''pornochanchadas'', Boca was the center of a set of various subgenres of exploitation films including comedies, crime films, action films, and kung fu films. The end of censorship in Brazilian cinema after the fall of the military regime in 1985, pornographic films began being produce as well. During its most prolific years, Boca attracted many notable directors, among whom were Carlos Reichenbach, Luiz Castelini, Alfredo Sternheim, Juan Bajon, Cláudio Cunha, Walter Hugo Khouri, Fauzi Mansur, and José Mojica Marins.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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